I.C. Fine Arts Institute

You may not realize that a new Non-locality Perception can be added to your art process, regardless of your skills, profession, age, or beliefs. In an age of mechanical and electronic image-making there is a definite benefit to you as an individual in developing hands-on skills in drawing, painting, and related art subjects. The ability to visualize and then present your ideas and to have the means to sketch or draw directly may give any person an additional way to communicate.

Most people are fascinated by watching another person develop even a simple drawing. Why not be the artist yourself? Very little in the way of materials is needed. Most materials are available locally or by mail order.

Did you know that art study increases Intuition Accuracy, as presented by the I.C. fine Arts Institute? This is drawing with your eye, not mechanical image-making. Although, all of your study will improve your 'art sense' of all image making. There is a very important reason for working directly, eye-to-hand in Fine Arts, preserving the personal, human involvement.

I.C. Fine Arts Institute reaches out to create, provide, and send the study of studio, visual I.C. art subjects and creative processes to anyone, anywhere, by any available means of delivery. Located on the beautiful Pacific shore at Trinidad , California in the redwoods, I.C.Fine Arts Institute was founded by artists and researchers as a tax-exempt, fine arts academy, issuing classical art study, using digital video, audio, and printed means to provide and preserve the visual arts tradition, yet apply New Physics Consciousness Principles, now tested and proved by the scientific method. The Institute was founded by the American Painter Charles Haddock. American sculptor Edward Fenno Hoffman III, along with a board of academics, including media specialists, assisted. The Institute has been in existence for many years as a research and development center. It is a national and international source of traditional, yet state-of-the-art, Fine Arts self-study content using the latest science relating to the inner, timeless mind within. The Institute's processes allow for exploration of the fine arts, all the while exploring the great mystery of your life and that of all Nature, including the only ultimate reality which matters or exists for each of us.

An I.C. creativity-process lecture is included in two parts as a gift to you, part of the introduction to the I.C.Fine Arts Institute.* The spoken word has always been an important part of the fine arts study process. During fine arts academic study, artists will convey those spoken laws and principles of beauty and cultural life that help make the earth a home for the higher human emotions, including facts and points for contemplation that add the human dimension and awe in life.

Lectures, seminars, and programs are available by contacting the I.C.Fine Arts Institute, Inc. at: 1 (707) 496-6000.

Science is absolutely important for the future. Yet, the observations of Nature presented in the perception method in this book differ from the observations carried out by material science. Visual data is only a tiny part of life.

The combining of Fine Arts and contemplative observing of Nature, including self as a part of Nature and Cosmos, are founded on Quantum non-locality and a higher core or spirit, and are part-and-parcel of our being.

The term "spirit" may seem dated; yet, this concept is the self-perpetuating core, a fount from which the light of our eyes brings a universe to our consciousness. In the present day the term has been eclipsed by a temporary materialism.

You may need to coin a word within your perception which explains the true mystery of our existence. Within you or in touch with you is a life source, a force, a 'presence' which gives life to you, listens to you, and is the ultimate you. No sectarian implication is intended; but, we cannot ignore the awesome.

Methods of obtaining ultimate information must originate from a perception above the material. As a human being you are already above the purely material.

More detail will be provided as we learn more concerning this level. Perhaps the 'quote' which opens a way is, "Which way shall we go to find the mystery of the unknown?" That answer to the infinite unknown is within you.

So it is, that Physics at the edge, and Fine Arts, plus your access to Consciousness, contain a search-engine of the Cosmos, worthy of your soul, and fueled by the spirit.

Much data has been uncovered and tested.
Two sources are offered for your personal reading, as an opening into the science behind the paradigm presented here. Also, a popular film, the motion picture "What the Bleep Do We Know" is an excellent summary of this new science applied to life. And...

a paper by Edgar Mitchell, Sc. D, and a book by three scientists with extensive documentation are listed for you. The purpose of this Reference Material is to introduce the outreach of 'Quantum Non-locality' , which you use every day and may not realize is the origin of that quiet INTUITION often given from the consciousness.

Art study involves an intensity of observation, which you may consciously control while drawing or painting, to learn more concerning the awe-filled Nature around you, and within your consciousness. The non-artist, while observing nature may also experience the increase in return data, by asking inwardly.

A more extensive list of research sources is included in I.C. Fine Arts Institute '33 Analogs' materials.

'Nature's Mind: the Quantum Hologram:'
Edgar Mitchell, Sc.D Noetic Sciences Institute
(P.2 of 14 )Complete Paper by Dr. Mitchell at.....

This is the Edgar Mitchell hypothesis for integrating into the scientific framework phenomena of CONSCIOUSNESS which many scientists consider outside scientific description. Recently this has been opened to linkage to the "New Physics": The Inner Center Art and Nature observation system, combines both. For more detailed Physics see: Stanford Scientist William A Tiller, Ph.D: "Conscious Acts of Creation: the emergence of a new physics":

C.2001 William A. Tiller,Ph.D.,Walter E. Dibble, Jr.,Ph.D. and Michael J. Kohane, Ph.D Pavior Publishing, available at Amazon.com. *

"The basis of subjective experience is rooted in the quantum attribute of nature called NON-LOCALITY.

I will use the word "perception" in its most generic sense to denote a basic subjective experience at all levels of complex matter.

.... The experience of humans is that they sometimes, perhaps often, perceive information that is not available through normal, local, sensory mechanisms, nor classical space/time information. Objective testing data in overwhelming abundance provides evidence that this is true, though an explanatory mechanism has until contemporary times remained elusive.

* Educational use quote, in no way intended to state that Dr. Mitchell concurs with the application of I.C. Fine Arts System.

I.C. * Fine Arts Institute (*Inner Center) announces a 33 part, creative doorway, which combines the joy of Art study with 33 levels of ANALOGS, while blending your consciousness with the simple problems of Drawing and Color as presented in each Analog. The Analogs give valuable Art projects, which in the 'doing' open new answers to questions you have asked. These answers return to you as intuitions, impressions, and ideas ...many from 'afar'.

List of 'ARTNATURE33' Titles

Lessons in Folio

ANALOGUES WHICH OPEN TO HIGHER PERCEPTION, SELF-STUDY, and Artistic Seeing

Analogue One:          Darkness to Light
Analogue Two:         Time
Analogue Three:      Mist
Analogue Four:      Geometry in Quantum Nature

THE DRAWING MACHINE and HOW TO USE IT.

Analogue Five:        The Figure Basics: Into the Realms of Form
Analogue Six:          Bounce-light and Color
Analogue Seven:     Flowers: Nature as Art

BEAUTY and QUANTUM UNIVERSE LINKS TO YOU

Analogue Eight:        Skies
Analogue Nine:          Light on Surfaces
Analogue Ten:           Shadows
Analogue Eleven:      Circulars in the Quantum Universe of Nature
Analogue Twelve:      Seaside Islands and Planets: Salvador Dali
Analogue Thirteen:   Symbols
Analogue Fourteen: Universe
Analogue Fifteen:    Color Fields
Analogue Sixteen:    Curved Lines, Motion, and Life
Analogue Seventeen: Intuition and Will
Analogue Eighteen:   Molten Silver Sea
Analogue Nineteen:   Drawing Beyond Thought

THE TREASURE IN BEHOLDING: Creativity Insight

Analogue Twenty:              Woodlands
Analogue Twenty One:      Light from Above
Analogue Twenty Two:     Drawing the Cube
Analogue Twenty Three: A Set of Basic Geometrics
Analogue Twenty Four:   Drawing from a Quantum Sphere
Analogue Twenty Five:    Multi-views: One object
Analogue Twenty Six:      Sun Life
Analogue Twenty Seven: Through a Glass Softly
Analogue Twenty Eight: Undersea Infinity Space
Analogue Twenty Nine:   Figures in a Sphere
Analogue Thirty:              Self-portrait
Analogue Thirty One:      Your Observer Universe Within
Analogue Thirty Two:     Consciousness Beyond the Art and Physics
Analogue Thirty Three: Clues to Infinity and Higher Knowing
                                         Through Contemplative Observation
                                          of Fine Arts and Nature Combined.